The Thing is yet
another film that has been remediated several times. The two film posters I
want to look at are from 1982 and 2011 films directed by, respectively, John Carpenter and Matthijs van Heijningen, Jr. Compared to the last few
posters, these are actually quite similar in visual appearance. However,
various elements such as the taglines, and the images of the thing can offer
varied interpretations on the creature’s monstrosity, or lack thereof.
In the 1982 film poster, we see a very blue, very
icy-looking landscape, alluding to the fact that the narrative takes place in
Antarctica. We can assume that the figure presented is the thing itself, with a
shining bright light in place of its face. I would say the most striking
feature of this film poster is the tagline, which reads, “The ultimate in alien
terror.” Oddly enough, the thing in this poster does not appear even the
slightest bit alien. It simply looks like a man wearing a snowsuit, lacking any stereotypically "alien" attributes such as tentacles, claws, or scales. This poster seems to be presenting an extremely complex
image of the thing, in that visually it looks human, but in reality it is an
alien terror.
We might look to poster number two for comparison. The image
on the right presents a similar icy landscape, and the negative space presents
a contrasting relationship between the white snow and the black background. The
thing is pictured again in a snowsuit, but instead of hands it possesses what
look like claws, which certainly draws attention to its alien-ness. The
tagline below the title reads, “It’s not human yet.” The poster alludes to the
idea of the visible alien becoming human rather than the visible human becoming
alien. Similar to the 1982 poster, it conveys a great deal of contrast between
text and image. The 1982 interpretation seems to focus more on the uncanny as
invoking fear, while the 2011 poster dwells more on outward monstrosity as
invoking fear, similar to my speculations on Invasion of the Body Snatchers.
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